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Welcome to Taylor Swift Archive, your source for all things Taylor Swift. You may know Taylor for singles such as "Love Story", "Mean", or her most recent album RED. This site aims to provide fans with the latest news and information on Taylor and her career. There is also an extensive & ever-growing image gallery, which includes photoshoots, magazine scans, images of performances and events. We hope you enjoy browsing the site and please bookmark the site and come back soon.

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August 24, 2014

Taylor Swift attends the 2014 MTV Video Music Awards

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Taylor Swift attends the 2014 MTV Video Music Awards at The Forum on August 24, 2014 in Inglewood, California. We have add to our gallery red carpet pictures. Keep coming back to the site because we are going to be updating this post with more photos and videos!

GALLERY LINKS:
Public Appearances > 2014 > August 24 – 2014 MTV Video Music Awards – Red Carpet
Performances > Performances from 2014 > August 24 – 2014 MTV Video Music Awards
Public Appearances > 2014 > August 24 – 2014 MTV Video Music Awards – Audience

August 24, 2014

Billboard Magazine Scans

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We have added to our gallery scans from the August 30 issue of Billboard Magazine, which features a brand new photo and a review of “Shake it Off”. There’s 2 different articles on the magazine, which you can also read in our press archive.

Taylor Swift and Country: Splitsville!

IT WAS LIKE A CAREFULLY planned breakup. First came the unabashed pop bangers on Taylor Swift’s last album, 2012′s Red, “I Knew You Were Trouble” and “We Are Never Ever Getting Back Together.” Then, in Iune, Big Machine chief Scott Borchetta spoke diplomatically of her next LP (titled 1989 and due Oct. 27): “Fans are going to love it. Will country stations play a complete pop song just because it’s her? No.” Then, word began to spread about Swift’s new single, “Shake It Off” another pop radio-ready track helmed by hitmakers Max Martin and Shellback. Later, sources hinted there isn’t a single acoustic guitar on 1989. Finally, Swift, 24, dropped the “p” word before premiering the song during an Aug. 18 worldwide webcast: “I woke up every day not wanting, but needing to make a new style of music.”

Newsflash: Swift and country “need some space.” But in a twist worthy a Swiftian lyric, there may have been no need for kid gloves. According to several programmers, country radio had already moved on. “She hasn’t been a country artist in quite awhile,” says one country programmer who believes Swift’s last true Nashville track was 2012′s “Mean”. George King of Townsquare Media was surprised to hear the song mentioned in a country context. “We’re absolutely going to play it on our [adult top 40] station,” he says, “but I’m not looking at it as a country song. It’s her prerogative.” Quipped Fletcher Hayes of WWQM Madison, Wis.: “Did Linda Ronstadt fans want to hear her Nelson Riddle Orchestra jazz albums on top 40?

Still, for Swift to apparently cast aside her core base, and the very supporters who helped make her one of today’s most successful female artists (22.8 million albums sold in the United States, according to Nielsen SoundScan, with endorsements by Target and CoverGirl to boot), seems somewhat harsh for America’s sweetheart – and, apart from pop flings or flails by Faith Hill and LeAnn Rimes, largely unprecedented. Even Shania Twain, in her bid for global success, kept a foot in Nashville by issuing pop, country and international (semi-Bollywood-flavored) versions of her 2002 multiplatinum smash, Up!

» Read entire article

Reviews: Taylor Swift, “Shake it Off”

ON TAYLOR SWIFT’S blockbuster 2012 album, Red, the country superstar explored several stylistic shades: arena rock, confessional folk, even dubstep. But the foundation of Swift’s fourth studio album was undoubtedly bubble-gum pop. Red – the last album by any artist to sell more than a million copies in a week – found her tapping hit producers such as Max Martin and Shellback, who helped dress her mainstream hooks in country trappings to ensure her new sound would be palatable to her core audience.

On new single “Shake It Off”, the first from Swift’s forthcoming album, 1989, she reteams with Martin, but the duo is done toeing the line: The song suggests the world’s biggest country star now belongs to a different genre entirely. The completed transition is jarring, but the impeccable pop stylings make it easy to swallow. Red hits like “We Are Never Ever Getting Back Together” and “22” paired their fizzy melodies with slick guitar strums, but “Shake It Off” disregards the instrument altogether, instead coiling its verses around a subtle sax line. It’s not exactly a “Thrift Shop” nod, but Swift and company clearly have been paying attention to radio trends.

» Read entire article

GALLERY & PRESS ARCHIVE LINKS:
Scans > Scans from 2014 > Billboard (August 30)
Press Archive > Magazines > 2014 > Billboard: Taylor Swift and Country: Splitsville!
Press Archive > Magazines > 2014 > Billboard: Reviews: Taylor Swift, “Shake it Off”

August 23, 2014

The Guardian Interview

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We previously announced that Taylor Swift is on the cover of this week’s The Guardian Guide out today (August 23) in the UK. We have posted the full interview in our press archive. You can read it below!

She’s gone from ringletted country artist to feminist role model and the world’s most charming pop star. As she returns with her catchiest material yet, she talks awards-ceremony etiquette, autobiographical lyrics and why she puts nice before naughty

In Manhattan’s chi-chi Sant Ambroeus restaurant, the pair of smartly dressed women at the next table are making not-so-surreptitious “eek” faces at each other, having clocked that their neighbour for lunch is Taylor Swift. And that’s nothing compared to the commotion gathering outside: wherever Taylor Swift dines, a swarm of fans and paparazzi soon forms on the pavement.

This is normal life for the biggest force in pop right now, a global superstar whose songs soundtrack lives, whose tours sell out stadiums in seconds, and whose every facial expression generates a million tweets. Taylor Swift in 2014 is an extraordinary phenomenon. She began as a ringletted country singer, teenage sweetheart of the American heartland, but between 2006’s eponymous first album and now she’s become the kind of culturally titanic figure adored as much by gnarly rock critics as teenage girls, feminist intellectuals and, well, pretty much all of emotionally sentient humankind. Unlike Beyoncé with her indomitable run-the-world warrior-queen stylings, or Nicki Minaj, with her cartoonified, amplified self and pantheon of alter egos, there is very little image-making going on with Taylor Swift, pop star. Instead, it’s her “realness” that’s made her; as well as, of course, some clever choices and heavy doses of charisma and songwriting talent. She is, as her friend the teenage media magnate Tavi Gevinson put it, nothing less than “BFF to planet Earth”. Which, for one thing, entails talking to planet Earth at a moderate volume.

When I’m doing a concert, it’s not like, ‘WHAT’S UP LONDONNNNN!’ I pretty much just speak at this level,” she says. As a result, her stadium shows have the confessional good feeling of mass sleepovers and she communicates with her vast audiences “as if I’m talking to them across the dinner table”.

Swift releases an album every two years without fail, which means it’s time for a follow-up to 2012’s Red. We meet in the week before she announces new album 1989 and its lead single, Shake It Off, a breezy, uptempo number about ignoring the haters. She explains: “In the last couple of years I’ve had to come to terms with the fact that anyone can say anything about me and call TMZ or Radar Online or something, and it will be an international headline. You can either go crazy and let it make you bitter and make you not trust people, and become really secluded or rebellious against the whole system. Or you can just shake it off and figure that as long as you’re having more fun than anyone else, what does it matter what anyone else thinks? Because I’ve wanted this life since I was a kid.”

» Read entire interview

August 22, 2014

Taylor Swift covers The Guardian Guide

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The Guardian Guide revealed on their Twitter that Taylor Swift is on the cover of tomorrow’s (August 23) Guide! They also posted a Vine with a speak peek at the inside of the magazine. We have added the cover to our gallery and you can watch the sneak peek video below!

GALLERY LINK:
Scans > Scans from 2014 > The Guardian Guide (August 23)

August 21, 2014

Mark Romanek on Directing Taylor Swift’s New Video ‘Shake It Off’

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VULTURE.COM – Taylor Swift fans were bowled over this week when the singer debuted the music video for her new, previously unannounced single “Shake It Off,” but fans of the format were doubly surprised by who directed it: Mark Romanek, the helmer of some of the most iconic music videos ever made, including Johnny Cash’s “Hurt,” Fiona Apple’s “Criminal,” and the Nine Inch Nails clip “Closer.” These days, Romanek is more focused on feature films (his big-screen work includes One Hour Photo and Never Let Me Go, and he’s currently circling The Overlook Hotel, a prequel to The Shining set up at Warner Bros.), but “Shake It Off” is the latest in a music-video resurgence for the director: After eight years away the medium, he directed last year’s Jay Z clip “Picasso Baby” and the music video for U2′s big Super Bowl single “Invisible.” Clearly, Romanek’s busier than ever right now, but he still made time via email to answer some of Vulture’s questions about the genesis of “Shake It Off,” his collaboration with Swift, and what he makes of the reaction to the video.

You shot “Shake It Off” over three days in June, yet no one knew a thing about it until its official release this week. How does something like that happen, and is that harder and harder to do these days when even a random extra in one scene might snap something on his iPhone?
Yes. Two months was a long time with no leaks. You know, I’ve made over two dozen spots for Apple. They take their secrecy very, very seriously, too, so my producer and I have become pretty practiced at keeping things secure. A series of measures are put into place. Badges and wristbands. Aggressive nondisclosure agreements must be signed. Scary legal announcements regularly made to cast and crew. Cell phones confiscated at the door. We selected a pretty remote sound stage and even placed boom boxes all around the perimeter blasting heavy-metal music, in case you could faintly hear the song during shooting. And then, after all those measures are taken, you kneel and pray.

What was the kernel of a concept that this video sprung from? Was there some sort of idea or visual image or intent that everything else grew out of?
Yes. In all the videos I’ve done over the years, I’d say pretty much all of them were my own concept. But this basic idea was all Taylor’s. We met and she told me that she wanted to make a sort of paean to the awkward ones, the “uncool” kids that are actually cooler than the “cool” kids. She said she wanted to shoot all these styles of dance and then be the individualist dork in the midst of these established genres. And that she somehow wanted her fans involved. I loved that idea, so over the following week or so, we narrowed down our choices for styles of dance. I think she imagined it in more natural settings and I suggested giving it a starker, more minimalist look. And I suggested the idea of incorporating her fans as a climax, for the ending as a kind of surprise.

You’ve directed clips for some of the biggest acts in pop music, but how does “Shake It Off” feel different than other videos in your oeuvre?
Well, I’m not sure I’ve ever done such a purely pop video as this. I guess “Scream” was pop, but I think of Michael [Jackson] as sort of his own genre. No Doubt’s “Hella Good” is pretty pop. I kind of pride myself on being able to tailor a bespoke style for just about any artist or genre — whatever’s called for, really. In this case, the assignment was to create a purely fun, upbeat pop video. I’d never really done that, so it was a new challenge. You know, I used to be the “Prince of Darkness” and now I have two adorable daughters, so I guess I’ve softened up a lot. I want to make things that they might like, too. It didn’t hurt that they’re huge fans of Taylor’s, so now I’m Super Dad.

Read More »

August 20, 2014

Taylor Swift Interviewed by Kiss FM UK

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KISSFMUK.COM – After a huge buildup, Taylor Swift announced her new album 1989 and released ‘Shake It Off’ – the first single and video.

I spent two years making 1989. Two years gives you enough time to grow and change and let things inspire you,” explained Swift.

I was listening to a lot of late 80?s pop music and how bold those songs were and how that time period was a time of limitless possibilities.”

The single ‘Shake it Off’ has a positive message according to Swift, who said:

Over the last few years I’ve learned a very important lesson. We cannot control what people say about us but we can control how we react to it. We can let it get to us, make us bitter, even drive us insane or we can shake it off.”

Taylor called into KISS Breakfast to tell us more about the new album and being Ed Sheeran‘s ‘wingman’. Hear what she said in the KISS Breakfast Takeaway below.